PRIVATE PARAMEDICAL PRACTICE
Confidential enquiries
Contrast quietensThe boundary reads less distinctly than it did once healed.
Warmth or coolness shiftsA cooler grey, or a warmer note, than you remember.
Uneven fading over scar tissueOne area lightens while the rest holds its density.
Shape no longer matchesThe outline sits differently against the tissue around it.
Depth of tone rather than the drawing. The shape is often entirely intact, so a review may end with one light pass across a single side instead of anything resembling a re-tattoo.
Pigment breaking down gradually, not incorrectly. The drift is slow, and is often seen in a photograph before it is seen in the mirror; tone is then re-read against your skin as it is today.
Scarred and grafted skin holding pigment differently from the skin beside it. Uneven loss is common, and is usually looked at locally — that area on its own terms — rather than as a whole.
A design question rather than a colour one. Revision surgery or a second reconstruction can move the tissue around the tattoo, so placement is measured and mapped again before anything is decided.
Healed tone in daylight. Colour is judged against your skin as it is today, and mixed from that reading rather than from the swatch chosen at the original appointment.
Symmetry and placement. Both sides are measured and mapped again, because the reference points on the chest may have changed since the work was first drawn.
Condition of the skin. Scar tissue, grafts and areas that have thinned are considered for how they are likely to accept pigment now, which may differ from last time.